New Promo video for Brown Hauntings

Last weekend VHS helped make this promo for the Hauntings at Brown College. It was a ton of fun!

Dead Alive (Braindead) Review by Samantha Mauney

Standing outside a Richmond Jersey Mike's after having just seen the newest X-men movie, my friend recommends the movie Dead Alive to me. The film, long-touted as being one of the goriest ever made, is a blood-covered gem of a flick.

After I expressed my interest, my friend then procceeded to tell me about some of the films most disturbing scenes, as if determined to convince me that it deserved the title (trust me, it does). So, a few days later I found Dead Alive on Netflix and managed to sit through it. Now, I'm not really squeemish when it comes to gore (this is the girl who sat through Hostel while eating a steak), but I will say that the film definitely delivers in the blood and guts department.

Made in the '90's but set in '50's New Zealand, Dead Alive is a splatstick horror flick that has the feel of a late Ozploitation film (for more on Ozploitation, I eagerly suggest watching the documentary Not Quite Hollywood: The Wild, Untold Story of Ozploitation). The movie is the story of Lionel Cosgrove, a thirty-something year old man who lives with his mother and is used to doing everything she says... Even after she becomes a mindless zombie. Soon mum is turning half the town into zombies, all of whom Lionel takes care of in his huge house. Hilarity ensues as, under a vast amount of supressants, he has all of them sitting around the family dinner table feeding them some kind of porridge (who feeds zombies, anyway?) and arranges play dates for them all in the basement.

Love also blooms-- albeit in a very disturbing way-- between two of the zombies (one of which is a former priest), and an adorably disgusting zombie baby is born. That same baby is later put into a blender.

Some of the gore can feel quite cartoonish at times, but overall it is very real. The zombies themselves are an interesting mix of slow-moving, moaning ones remniscent of early movies like in Night of the Living Dead, running at 40 miles an hour Dawn of the Dead-esque ones, and Godzilla.

The film has all of the loveability of a low budget, independent, zombie flick, (despite the fact that it cost about $3,000,000 to make) which is due to most of the over-the-top humor scattered throughout. You can't come to be called "one of the goriest films of all time" without either making  people laugh or have a heart-attack. This film really delivers on the former. Apparently, the full length NZ version of the movie is even more violent than the one available in the US. I can't really fathom how anyone could make this film any more of a bloodbath than it already is.

Concerning plot, the entire story line of the film is very simple and recognizable, so as not to impose on any of the action. There is an original incubator for the disease, in the form of a Sumatran rat-monkey. There is a Zombie number one, a catalyst for a wide-spread outbreak, and the film ends with an ever-so-climactic full-on zombie massacre. In the end, the movie attempts to be academic with a reference to Freud. I'm no student of psycology, so I cannot comment on how well placed the allusion was.The acting is so-so (not that it takes away from the story. After all, this is a splatstick), but the comedic timing is spot-on. Cinematically speaking, the directors do a decent job of making this feel like the movie was shot decades earlier than it actually was, giving it a more authentic Ozploitation feel.

Historically and economically, this film was considered a flop. It only made back two thirds of its original three million dollar budget at the box office (which, for a film that underwent an unbelievable amount of censorship, is still not terrible). But thus is the way for most films that become cult classics. I seriously encourage you to see this movie. If you think your stomach is strong enough.

Wake Wood Review by Corbin Bond

As a break from the stress of summer school work, I decided to take a trip to my local Best Buy to purchase some new Horror films. Earlier I had received a recommendation from a friend on this new film straight from Ireland called Wake Wood. The film is one of the many new films to be released by the now revitalized Hammer studio that brought the amazing Let Me In back in 2010. I don't plan on spoiling the film, but I will say that it definitely has me attracted to watching more Horror films from across the pond.
The film has a plot that is very reminiscent of classics such as The Wicker Man, Don't Look Now, and Pet Sematary. All is blended together to create an excellent example of modern Gothic Horror. The story is of Patrick and Louise, a husband and wife, who have just recently suffered the tragic and violent death of their daughter, Alice. In their despair, they move from their city home to the countryside village of Wake Wood. There, while trying to recuperate their lives and move on, they come to find a very dark feature of the town that leads them down a path of the occult and ultimately a nightmare beyond their initial intentions. Thus we are given a film with an extremely dark atmosphere and chilling imagery to provide the town with a major sense of foreboding.
Overall, the film displays beautiful cinematic work, as each shot seems to be intricately set to appear perfect in terms of building a sense of discomfort. The setting is very reminiscent of Edgar Allan Poe's descriptions that reflect feudal Europe. Meanwhile, the depiction of the forest reflects on the idea of the untamed wilderness where all forms of dark occurrences can develop. The film, in its connection to The Wicker Man, is also a definite presentation of the occult, especially necromancy. Each shot of the townspeople gathering around for rituals is chilling while also very much sublime.
Furthermore, Wake Wood, is an especially effective Horror film in is presentation of realistic violence. The film does not become overly gruesome like the Saw franchise, but there are definitely scenes of extreme pain and violence that can lead to major cringes. The sounds of the deaths are probably the most effective in their ability to make the audience very shocked. However, the film does not rely on gore to be horrific, which is a very good thing compared to most Horror films of this generation. Instead it focuses on the usage of disturbing images paired with emotional terror to produce a film that is very much like something one would hear from a campfire ghost story. In a way, it would be best to refer to this film as "folk" Gothic Horror.
The usage of the pastoral landscape, with the odd suspicious villagers and the dark imagery, makes the film very unsettling especially as the central story continues. Not only that, but the film also builds tension with some clever scares paired with acting of the awesome cast. The best of the cast has to be Timothy Spall (Peter Pettigrew - for all Harry Potter fans) who portrays the character of Arthur as very gentlemanly while also very suspicious and disturbing. When I saw the film, I instantly thought he would be the major villain when in reality, I was quite wrong. The story has some very good twists and turns to the point where you can't help but wonder what will happen next. By the end, I was blown away.
Overall, I definitely recommend Wake Wood. It has just the right amount of scares with the right build up of tension leading to the film's finale. This is definitely a new folk horror classic that provides a modern Gothic twist. It is definitely a good film in the return of Hammer as well. However, be warned. "What goes on in Wake Wood is not for everyone."

Black Death Review by Samantha Mauney

Searching through a list of horror movies coming out this year (specifically this summer) to ward off studying for the LSAT, I came across this film listed as a 2010 favorite. So you can imagine how happy I was to find that Netflix offers to stream instantly for all of its customers.

Black Death is a supernatural, story-driven, period-piece horror flick about the effects of the bubonic plague in fourteenth century England. A local bishop's envoy and his entourage arrive at a monastery with tales of a place that the plague cannot reach. When they leave they take with them a young monk from the monastery as a guide, as he was raised in the marsh they are headed to. What the soldiers do not know is that the monk has a hidden agenda. He has sent his young lover to the marshes for her safety, with the promise to meet her there. However, it is revealed that the other men have a few secrets of their own. While they are looking for a village where there is no pestilence, that same village is a godless one that is said to be lead by a necromancer. The men seek to find it and "turn it's people back to God." With that goal in place, the story begins to move and breathe at a very comfortable pace as the search for the young monk's true love, as well as this mysterious village and its pagan sorcerer starts.

Most true horror fans will think that the film starts off WAY slow, with virtually nothing in the way of scare or suspence for the first thirty minutes. In fact, despite the fact that I was completely engrossed in the story, for a while I was wondering why both movie-moron.com and Netflix classified Black Death as a horror film to begin with. Roughly an hour into the movie, however, you'll think you're watching torture porn. While that aspect of the film doesn't last very long at all, from that point on the film is remarkably fast-paced, and amazingly compelling.

I cannot begin to state how remarkable the acting was in this movie. Eddie Redmayne (Pillars of the Earth, Elizabeth I, Glorious 39), one of my favorite young British actors, shines as a young man of the cloth who's having a hard time keeping to his vows. By far the character with the most growth, you see both innocence and cold-hearted malice in his performance, two qualities that Eddie Redmayne is a master at conveying, garnering him praise in Pillars of the Earth and Glorious 39.

However, most of you will probably recognize the great Sean Bean (Lord of the Rings, Game of Thrones, GoldenEye) more easily. It's no argument that Bean is a wonderful and highly-seasoned actor, and his performance here does not dissapoint. Unfortunately, his character, while it certainly has depth, has no real arc to it, so we see Bean once again playing the unchanging, honorable soldier. It would have been nice to see him in a role with more development. Other characters in the film are just as honorable, but are not given enough screen time to be as likable.

The cinematography in this film is fairly one-note, though quite captivating. The bleak color present throughout the movie helps to convey the atmosphere in England int he 1300's. The harshness of the landscape will never let you forget that there is death all around, as inescapable and as fast as the fog hovering above the marsh. Exactly what you'd expect from a Medieval action movie, but presented in a nice way nonetheless.

I try to be a fiercely anti-spoiler reviewer, but I don't think that I'm giving away too much by saying that religion is a huge theme in this film (but that doesn't by any means mean that it's preachy or any other negative connotation you associate with religion). With that come love, temptation, betrayl, lust, vengeance, and duty: all of which make a for great story, and that's truly what this film is. I disagree with Netflix calling it primarily a supernatural horror, but there are definitely parts of the story that are horrific. Unfortunately, the true scares only account for about 10% of the movie. I will say that the lack of jump-off-the-couch-scares and on-the-edge-of-your-seat suspense is due to the complete devotion to realism of Christopher Smith and Dario Poloni, the director and screenwriter. I really like and respect that there is no suspension of disbelief necessary for any part of the story, and that fact, more than any torturous scene, is the most horrific aspect of this film. Watch Black Death if you like original, extremely well-written, action films in addition to horror. Don't watch if you're looking for something to keep you awake when things go bump in the night.

Super 8 Review by Corbin Bond

Today, I had the amazing opportunity to go see Super 8 with my dad and older brother, and let me tell you one thing. This movie was an awesome experience! Before I get into an in depth review I do want to mention that there may be some minor spoilers but nothing too bad. Anyways, the film is about a group of kids that are just getting out of school for the summer in the late 70s/ early 80s. They plan to spend their summer filming a super 8 zombie horror film to be submitted to a Ohio Film Festival. Meanwhile the main character, Joe, who works with makeup and effects, is currently trying to move on following the death of his mother 4 months earlier and dealing with an especially distant father, who is a deputy in the local police force.
One night after, sneaking out to film a scene for their movie at a train station on the edge of town, they are witness to, and almost killed by, a massive train crash that later leads into many unusual and otherworldly occurrences in the small town. The military comes in and soon, these children are about to learn that their small little town is about to become victim to a dangerous government secret that could lead to the destruction of their town while a mysterious "thing" lurks in the shadows. It's a race against time as the characters must stand together against both the military and this unknown force that could easily destroy them if time runs out.
Okay, that was just the gist of what this Hollywood spectacle has to offer. Let me first start by saying that if you love the classic Steven Spielberg films, such as Close Encounters of the Third Kind, E.T., The Goonies, Jaws, and even Jurassic Park, then you will undoubtedly love this movie as it is clearly J.J. Abrams (director of Cloverfield and Star Trek) love letter to the classic Spielberg films that made going to the movies fun. What Abrams does that makes this film so successful is he makes it very character driven. The characters can either make or break a movie, but Abrams cast amazing young actors and non-A-listed celebs to portray the roles in the film with realistic emotions and depth. Meanwhile, this film is also outstanding in how it keeps to the nostalgia. From beginning to the end, you literally feel immersed in 1970's/1980's culture all the way down to the most infinitesimal detail.
Speaking of Spielberg, who also worked together with Abrams on the film, Super 8 has many moments that look and feel very much like a classic Spielberg moment. There are moments that are shocking, touching, terrifying, violent, and powerful. The film succeeds very well in being an amazing Sci-Fi monster movie. Though it doesn't have the touching connection of child and alien like in E.T., there are those moments that feel like you are watching Elliot on his bike when it is really Joe or his friends. Furthermore, this film has some rather frightening and suspenseful moments that can easily make you jump. There is a lot of atmosphere in the night scenes of this film to easily consider it as Sci-Fi Horror. This idea may also relate to how Spielberg used to delve into multiple genres in his films. For example, though Jaws was a fantastic Horror film, it also had touching moments of a drama. This film is no different, there are some clever chills and thrills, and even some bloody moments to make any fan of classic Spielberg happy.
As for the actors, I was very impressed with the cast, especially with how they were not very well known actors. They were all very believable in their portrayal of 1970s/1980s life. The child actors are especially note worthy in that they are the ones that hold the movie together. The best ones in my opinion were the actor who played Joe and Elle Fanning (Dakota Fanning's younger sister), who played the role of Alice. Fanning really delivers a wonderful performance as a young and somewhat troubled girl and at times she literally had me on the verge of tears. As for the adult actors, Kyle Chandler was awesome as Joe's father and the deputy. There were moments where his character made me angry yet he had a way of subtly provoking pity due to his situation. Overall, the casting was impressive.
The most impressive part of this film though has to be in the cinematography and effects. One stand out scene has to be the catastrophic train crash at the beginning of the film. Abrams utilized the combination of CGI with actual sets to produce an amazing piece of eye candy in how this train crash was both extremely intense and frightening while also mesmerizing. Meanwhile, the night scenes and sound provided allowed for a lot of tension to be built up at a very good pace leading to some of the frightening moments of the film. Finally, the ending, which I will not get into too much detail with, is truly a spectacle that brings everything together and ultimately left me extremely satisfied.
Overall, I must recommend this movie to everyone. It is an amazing summer movie that will definitely gather following over the years and it should definitely be recognized as a revitalization of classic Spielberg with the right amount of scares, drama, and steady pacing to make this a movie that would be great to see in a theater. It is an awesome viewing experience, and it is also one that I shall definitely add to my movie collection when it arrives on DVD!

Eskalofrío (Shiver) Review by Samantha Mauney

This Guillermo Del Toro-produced Spanish horror/thriller packs a punch!

The film follows the story of Santiago, a photophobic/ photosensitive teenager whose condition gets so bad that his doctor recommends to his mother that they should move to the countryside, where there is less sun because of the high mountains and because the days are shorter.

At first Santiago and his mother think that their lives will finally have some sense of normalcy. Soon after the two arrive, however, strange things start to happen in the woods surrounding the small town. A farmer's sheep are found gutted on three seperate occasions, and later two people are murdered in the woods when Santi is near by. Fingers start pointing in the young boy's direction, and it is up to him to find out just what, or who, is causing all of this destruction. Is it a monster? A ghost? Someone in the town? Furthermore, why are they suddenly doing it? Finding the answer to such questions (refreshingly) takes the entire length of the film as you, the viewer, and Santi, the story's hero and underdog play detective in this 2008 horror/thriller.

A great amount of the cinematography will remind you of Twilight. A large number of sublime shots of the local landscapes are filtered through bleak but beautiful color correction to convey the perpetually overcast weather of the otherwise perfectly picturesque small town. The set designer of this film also did work for Pan's Labyrinth (Toro really does like to keep it in the family), and you will see touches of her handiwork on the many sylvian portions of the film.

The movie is definitely written with a set formula concerning characterizations and twists, but still manages to be unpredictable where it really counts. There are stock characters, but they are presented in a subtle (some others may say underdeveloped) manner. The symbolism of a troubled teen living in the shadows having to fight for what's right is also very striking, and is an important theme throughout the film. All things considered, Eskalofrío the perfect film for a lazy Saturday morning/afternoon/night.

New Promo Video and Blog Updates

Below is the Fall 2011 promo for the Virginia Horror Society called "Withheld!"

Check it out (in HD)! Rate it! Comment on it! Share it!

Also, for those of you readers who didn't know, the comment problem has been (finally) fixed! It is now possible to comment on the posts and reviews on the site.

Happy Hauntings,

Samantha M.